Transfer Love~ A Big Win!

I was fortunate to have entered Caterina Giglio's giveaway at La Dolce Vita because she was giving away an invite to her "Transfer Love" class which is about image transfers not the transfer site which is in fact a worthwhile venture as well if you're a serious junker.

Image transfer quite simply put, is the lifting of images from one medium to affix to another.

As you can see on Caterina's blog she's made magic with the techniques with her artwork.

I had been wanting to take the class but was holding out for when I had a higher speed connection than my current dial-up. But since it was a giveaway I threw my fate to the wind and was announced the winner much to my surprise.

I shouldn't have mentioned throwing my fate to the wind however because the first try at an image transfer technique had me so impatient for the results. It was a vintage photo of a woman against a page of German calligraphic script. It seemed to be successful but I wanted to dry it out quickly on the deck in the sun which I soon forgot about. Later on our legendary Delta wind picked it up and scattered it to wilderness so I never did get to admire the finished product.

I have been able to view Caterina's videos and upload the instructions with a few visits to the local library.

A few of these pictures were taken from my husband's ancestors photo album which I had scanned previously. Why buy cabinet photos when there's a whole album of them in the next room? The rest of the photos are my own from various travels and scans.

One of the benefits of image transfer as opposed to straight up collage-ing of images is the transparency of the images allowing your background to peek through.

My main goal was to familiarize myself with the process and technique and produce a stack of usable pieces for other creations. I may only use parts of some of these pages to put with other images or designs.

From my husband's family archives

"She Was a Force of Nature"

My photo taken at Ayuttaya, Thailand and vintage Grey's Anatomy

"Emblage" or Trying to Take the Ass out of Assemblage

Trying out my new patina technique- learned at ACE Hardware

Titled "Skin Circuitry" an Emblage

Detail of an ACEO that I decided to attach.

The woman playing the "organ" ( skin is an organ you know) is a collage that I had made in the 90's and resurrected. Made from an image from an old sterograph, Japanese paper and biology diagram.

So, I'm kind of new at some of these assemblage techniques. I am oh so great at collecting wonderful bits and pieces and even buying the necessary supplies to create any number of wonderful projects. The problem is that I am trying to learn a lot of connection techniques on my own because I seem to want to try things without going to workshops and start on projects before certain skill levels and knowledge are embedded in my brain.

I have always been a hasty worker whether it's cooking or printmaking or gardening. Call it impatience ( but not to my face, I get so defensive) or a glorious lack of perfectionism (I'm saving that for another lifetime) but I have trouble waiting for glue to dry and want to hurry up and get to the next step.

Well I'm finding with this altered art/assemblage and collage that it's necessary to plan out your layers and connections in a logical order or things start to get botched in a hurry.

Then when there's a mistake that messes up my one of a kind beginning of a background it can be so frustrating.

Take rivets for example: I took a silversmithing workshop one day two years ago and learned how to make some nice cold connection rivets. So I had an idea to connect the collaged old book cover to the antique tin ceiling tile with some copper rivets. In order to make the copper tubes for the rivets I had to remember how to load the jewelry saw which I had also learned in the same class two years ago. The saw was picked up at a garage sale so I was hoping it was reasonably functional. It was guesswork really and I sawed three of them before I broke the blade which was looking kind of cattywompus and I was amazed that I was able to cut anything at all.

Did I stop and look in one of my glossy metalsmithing books to see the right way to do it? No, I wanted to GET ON WITH IT! So with some pounding I ended up with three slightly split and bent rivets. So rustic, so primitive. Oh well.

After that was attached I decide to attach a bead which would have been way easier BEFORE I attached the collage.

This is what you call a "learning process" and I know I could benefit by slowing down and PLANNING out my projects. My short attention span has been more suited to lampwork and stringing and making ATC's so far. (and I am a good but messy cook if I do say so myself)

I'm not totally disappointed in the final product but I think I need some more techniques under my belt for that finer final product that I'm seeing so many good artists putting out with their altered art/mixed media /assemblage pieces.

Let me know what you think!